The Practical Versus the Editorial

It’s intriguing to see a quirky styling for the first time, and then to see it repeated by additional stylists, becoming a mini-trend of sorts in the world of fashion.

Sometimes the styling is borne of necessity in order to display clearly all the items being promoted. It does no good, for example, to have the model wearing a stunning cuff or stylish wristwatch that gets covered up by a long sleeve. The result:  stylings showing the bracelet or timepiece worn over the sleeve.

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The October 2014 issue of Harper’s Bazaar pictures a model wearing a pantsuit (a trend on the upswing) with a turtleneck sweater. Along with a necklace, she wears a cuff bracelet over her sweater sleeve with the jacket sleeve pushed up.

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The September 2014 issue of Los Angeles Magazine pictures a model in a Saint Laurent blouse and blazer, with a Chanel watch worn over the jacket sleeve.

This styling trick actually has a practical side as well:  when it’s brisk, or downright cold, outside, or in the environment in which you find yourself, protecting the skin of your arm from cold metal might be much appreciated.

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Trickier is a necklace styled over a coat, as pictured here in the July 2014 issue of  Glamour. It looks interesting, hair in and half out but the wearer must remember that the necklace is on when she takes off her coat so that the necklace isn’t flung aside and damaged in the process.

Other styling trends have little or no practical purpose, however. One example that is seemingly ubiquitous in the fashion press this season is the style of tucking long hair into a sweater or scarf, no matter that the hair might tickle or feel hot against the neck.

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The trend was reported in the May 2014 issue of Allure, which featured several photos from the fall 2014 runway shows of Anthony Vaccarello, Nina Ricci, and Sacai. Calling the style “Laissez-Hair,” Allure notes: “You’re probably already familiar with the coolest hairstyle of the moment:  you just don’t know it’s a style. Haristylists tucked the hair inside turtlenecks, scarves, and popped-up coat collars, creating a relaxed style that looked accidental.” Allure explains the appeal of the style:  “The result has all the benefits of a bob–it hugs the jaw, lifts the cheekbones, and makes fine hair look fuller–without the commitment.” Vaccarello wants to convey the look of “a realistic carelessness.”

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The August 2014 issue of Glamour reports that the hair tuck “is  now an actual hairstyle, as seen at Tory Burch, . . . Burberry Prorsum, and Calvin Klein Collection” and notes that high-collared tops and coats are necessary to make the look work. The scarf as an option appears a bit later in the fashion press.

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The December 2014 issue of Elle pictures this look, featuring brownish lipstick and hair tucked into a turtleneck sweater. Elle notes: “Like a visible bra strap, sexily tucked hair should be a happy accident. So bundle up and let your hair runneth over.”

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The October 2014 issue of Marie Claire features a model who forgot her pants (wearing a top as a very short dress with bare legs), but somehow managed to wrap a scarf around her hair, presumably so she wouldn’t feel cold.

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“Boost Your Street-Style Cred” suggests InStyle Your Look 2014, issued this autumn:  “Tuck the Tresses.” Two varieties of the style are pictured.  The first is simply an extra-long scarf looped around the hair — a style that requires a fairly long neck to carry off. The article continues: “To look even more carelessly chic, pull a funnel-neck top over your locks. Leave a few tendrils lose to avoid appearing too contrived.”

It looks as though the models didn’t finish getting their look pulled together. Contrived?  Happy accident?  Either way, this trend won’t outlast the winter.


The Scale of Dress Straps: Choosing What’s Most Flattering

One of the best tips for selecting clothing that will genuinely flatter you has to do with your face — or more precisely, with the size of your facial features. If you are blessed with huge eyes and luscious lips, you  can wear clothing with larger scale detail without that detail distracting from your face. If, like most of us, your features are small to average in size, you are likely to find that smaller detail on your garments will be more attractive on you.

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Case in point:  Actress Rose Byrne appearing on the cover of the November 2014 issue of Lucky magazine. She is wearing a gorgeous jumpsuit from the Roland Mouret Resort 2015 collection.  The jumpsuit is black with thick white edging at the bustline that crosses and becomes the straps of a halter-style neckline.

While the jumpsuit is beautiful, and the actress even more so, the detail of the wide white straps distracts from Byrne’s lovely face, even though her eyebrows and eyeliner are dark and dramatic in the styling. With her slender frame and the dark body of the jumpsuit, what the eye notices first are the thick white straps and, correspondingly, her bare shoulders.

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I came across two examples of similar designs, with straps of smaller scale, that might be more flattering on Byrne. The first is a David Koma dress modeled by actress Gabriella Wilde in the March 2014 issue of InStyle. The garment has the same style of white straps that crisscross and become the halter-style neckline, but they are narrower and therefore significantly less distracting. You see the woman, not the dress.

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Another example of the effect of straps, this in a different style, reversing the dark and light portions of the garment and with a square neckline, is a dress by Michael Kors pictured on actress Halle Berry in the November 3, 2014 issue of People. The thinner straps, while still providing a dramatic accent to the dress, do not distract from Berry’s beautiful face.

Incidentally, these principles apply to everyone, irrespective of body size or shape, and apply to all styles of clothing, from demure to dramatic. Never let the dress wear you.

A Season of Elegant Handbags with Small Scale Detail

This season, more than any in recent years, designer have foregone some of the logos and labels and extraneous buckles, straps and accoutrements, that have made handbags (and other accessories) chunky and sometimes downright unwieldy. This is the season of the return of the elegant, ladylike handbag.

If you have small to medium bone structure, rejoice!  Image consulting principles suggest that the appropriate scale of the construction details of your accessories, including handbags, shoes and jewelry, is most flattering to you when they relate to your physical features. Small to medium size wrists suggest that the  hardware and other details of your handbags are most attractive when they too are not overly large in size.

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A current ad for a Hugo Boss handbag presents a bag with a smooth surface, a small clasp, and minimal hardware on the bag’s handle. Notice how these relate to the small wrist of the model holding the purse.

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In a current ad for Max Mara, actress Amy Adams is pictured with a bag of beautiful smooth surfaces and minimal hardware, and a medium-width strap, which looks perfect with her average-size wrist.

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A current ad for Coach also reflects restraint in the size of handbag details, although there are significantly more “bells and whistles” on these casual designs with their studs and hangtags and relatively chunky hardware.

Jewelry for Women of a Certain Age

Jewelry purchase decisions encompass a wealth of factors, including:

  • For what occasions is the jewelry to be worn (spanning the range from daily wear to gala occasions).
  • With what apparel will it be worn (considering the style of the clothing and its design details).
  • What styles of jewelry are most flattering to the wearer ( considering such factors as scale and color).
  • What styles suit the personality of the wearer (from classic to singularly quirky).

Quite beyond all those factors is another consideration:  What makes sense as a fashion investment. Rare is the individual who does not need to be mindful of her budget. As with most purchases, what is cheapest is not synonymous with what provides the best value for one’s money.

What is of-the-moment trendy — immediately recognizable designs that have achieved cult status and seem ubiquitous for a season or two in the fashion press – will inevitably look tired and dated soon enough. If you want to wear one huge single earring because the fashion editors have embraced that trend right now, that’s fine, but rather than shelling out significant dollars for a single piece, consider purchasing a pair of identical huge earrings that either may be wearable as a set or possibly may be adaptable into a fresh look by a clever jeweler when the trend has finished its course.

What is incomprehensible to me is the promotion of inexpensive jewelry designs that riff off current trends but don’t merit cult status, when the promotion is directed to women of a certain age who have financial wherewithal. The September 2014 issue of More magazine is rife with this type of promotion.

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In your 40s, advises the editors, “become the boss–or just dress like her.” As to jewelry, “Embrace delicate,” urges the magazine. The jewelry selected to wear with the pulled together “multitasking looks” is a $40 metal cuff accented with crystals. The wide cutout style requires a wide expanse of arm, and would not work well with long-sleeved apparel such as the print wool-blend coat pictured. The missed opportunity: A lovely slender bracelet with a tasteful, daytime-appropriate sprinkle of pave diamonds on genuine gold or silver. That’s something the boss might actually wear.

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In your 50s, “dress to please yourself” suggest the editors, adding “You’ve earned the right to wear whatever feels best.” The jewelry selected:  An attractive but uncomfortable to wear square bracelet that has a modest $225 price tag.

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In your 60s, “break with tradition:  stop sticking to safe (yes, you) and show the world you’re full of surprises.” As to jewelry, “update your pearls” suggest the editors — excellent advice in this season of extraordinary designs that incorporate pearls. The first of two recommendations is a $588 necklace of brass, crystal and glass pearls in an eye-catching design from Lulu Frost that merits consideration.

0914 bad jewelry faux pearl studs 60s More REV

The second of two recommendations is something entirely off the mark:  a $28 pair of earrings incorrectly described as “12k gold-plated brass and pearl studs.” The earrings do not contain pearls — the pearls are faux, as one might expect from the price. The man-made pearl-like orbs are set on top of square backings. There is nothing whatsoever surprising about this design.

Why is a magazine that targets women of means promoting a $28 pair of faux-pearl earrings? A pair of freshwater cultured pearl stud earrings can be had for under $12 on

Does anyone aspire to a jewelry wardrobe of inexpensive gold-plated — or worse, gold-tone metal — designs with faux gems and nothing-special style? Dress like the boss. Dress to please yourself. And show the world you’re full of surprises. Don’t settle.

What’s in your jewelry box?

Earrings & Beyond: The New World of Ear Adornment

If your jewelry wardrobe hasn’t been refreshed in a while, you may be surprised at the number and variety of developments in jewelry design that have made this an exciting time to explore new looks in jewelry. Although cutting edge, most of these designs are eminently wearable. The most significant developments reflect a new approach to adornment.

Earrings have taken new directions quite literally — moving upward and extending over a larger portion of the ears. With this new direction comes new terminology.

The initial groundbreaking forays into fresh adornment of the ears may be attributed to Dior, whose Mise en Dior front-back style earrings were ubiquitous in the fashion press in the autumn of 2013. I wrote about this style on October 2, 2013 in my post about stud earrings in my blog:

“One creative rethinking of stud earring design that has received a great deal of editorial attention is the Mise en Dior earring collection from Dior. The earrings are designed much like men’s cufflinks, with a small glass pearl on one end and a larger, more colorful bead on the other. The earrings are worn with the smaller of the beads in front of the ear with the larger one behind. The resulting look is fresh and unexpected.”

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Illustration:  Emma Watson wearing Mise en Dior earrings at the 2014 Golden Globes.

Notice that the Mise en Dior earring brings the front bottom of the earlobe slightly into prominence, a design that may not be flattering on large earlobes.

By the spring of 2014, earring jackets were back in the fashion spotlight in a big way. Traditionally, earring jackets are flat disks or other designs placed behind stud earrings, giving them more presence on the ears. They are affixed at the front of the ear. I wrote in my post on the new earring jackets in April 2014:

“”Ear jackets,” otherwise known as “stud earring jackets” or simply “earring jackets,” an add-on accessory for stud earrings, are receiving notice for their style potential this season. The latest styles go beyond designs that expand the perimeter of the stud earrings with which they are worn. They may attach to the earring posts behind the ears and may be worn singly for extra edginess.”

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“The April 7, 2014 issue of People magazine spotlights the ear jacket on the Style Watch page, reporting:  “The newest trend in ear candy is the ‘jacket’ which dangles from the post of a stud and is held in place with the earring back. Kate Mara wore a spiked gold one and completed the look by adding that other of-the-moment piece of jewelry: an ear cuff.“”

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Illustration:  A close-up of the Jacquie Aiche ear jacket worn by Kate Mara.

In my post on June 2, 2014, I noted that the meaning of the term “front-back earrings” had expanded to include what looked very much like the new style of earring jackets:

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“The June 2014 issue of People Style Watch confirms that front-back earrings have become a new category of ear adornment. Featuring styles from Forever 21, ASOS, Rebecca Minkoff, and GoJane, the magazine notes: “These fun pairs add a touch of color, sparkle or cuteness–it’s a party from every angle!”"

The distinction between front-back earrings and earring jackets in the new sense of the term, generally seems to be that the earring jacket is generally worn on one ear only. In addition, many earring jackets appear to cradle the outside edge of the ear, whereas front-back earrings do not relate to the shape of the ear.

Speaking of styles worn on one ear only, this widely reported trend likely started with the second groundbreaking change in direction of the adornment of ears, with ear cuffs. This trend took off in 2013, as I wrote in an October 2013 blog post:

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Illustration:  report on ear cuffs in the October 2013 issue of InStyle magazine

“[T]he outer edge of the ear is the focus of the latest styles of jewelry for the ears. Some designs attach to the top or side edge of the ear; others hang over and around the entire ear. The designs are sometimes seen worn on one ear, sometimes on both ears, providing even more variety. All of these designs are referred to as “ear cuffs.”"

* * *

“Ear cuffs are very much a fine jewelry phenomenon, not just a street trend. Writing in the September 2013 issue of Harper’s Bazaar, Emily Cronin writes, “what women want from jewelry is evolving. ‘Women are trying to find a different way to wear fine jewelry, where it’s not just the statement watch, the statement bracelet, and diamond studs,” says jewelry designer Jennifer Fisher. Instead designers like Fisher, Eva Zuckerman of Eva Fehren, Ana Khouri, Irene Neuwirth, Jennifer Meyer, Hoorsenbuh’s Robert Keith, Gaia Repossi, and Anita Ko are energizing the genre with pieces that are more than future heirlooms: From ear-climbing earrings to sleek modern bangles, they are a chance to express your style every day, no matter the dress code.””

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Illustration:  vintage ear climber earrings

Given the interest in adorning a larger portion of the ear, the vintage earring style that curves upward along the ear is finding a new renaissance in what are now termed “ear-climbing earrings,” or “ear climbers.” Quite fabulous mid-Century versions, usually in clip-on style, can be had for a fraction of the cost of the new pieces.

Front-back style earrings, earring jackets, ear cuffs and ear climbers:  these are all part of the sea change in jewelry design for the ears. There’s yet more for me to report, which will follow in an upcoming post.


The Sad Sack

The fall season presents an opportunity for an otherwise stylish woman to take on the appearance of a little girl dressed up in her mother’s clothes. The issue: designers and editors pushing oversized apparel that it too large or too long and swamps the figure of the woman wearing it.

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This coat pictured in the July 2014 issue of Elle magazine creates the look in part because of the enormous lapels on the coat. Image consultants will tell you that details such as the size of lapels, buttons and trims should be proportionate to the size of the wearer’s features. The delicate features of the model are not flattered by the huge collar. The chunky shoes do nothing to elevate her look. The coat is from COS.

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The March 2014 issue of Elle styles a model in a silk tie-neck blouse and suspenders with trousers that pool on the floor. The blouse and trousers are from Michael Kors; the suspenders, from Star Struck Vintage Clothing. The bear in the photo wears a Chanel hat.

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Particularly inexplicable is a celebrity with virtually unlimited financial resources wearing a dress that is ill-fitting. The July 28, 2014 issue of People pictures Kim Kardashian  walking in the rain in Paris en route to attend the Valentino Haute Couture show in July. She wears a dress with a plunging necklace meant to show off her figure, but many inches of fabric are unattractively bunched around her waist. There is far too much dress for her petite figure and small waist.

The fix for almost of these sad sack woes is the assistance of a talented tailor, who can make alterations so that the garment flatters the wearer.

Three Necklines Difficult to Wear and One Universally Flattering

Here’s a collection of sparkly evening looks pictured in the June 2014 issue of InStyle.  The fashion spread does an excellent job of ordering the red carpet gowns from left to right according to which is the easiest to wear, giving us a wonderful opportunity to consider necklines.

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To the far left, actress Cate Blanchett wears a dress cut down to her waist in the front, a look by Givenchy by Riccardo Tisci not recommended except for a woman with a modest sized bust, perfect posture, and plenty of two-sided tape. For most women, this neckline is not one ever to be considered as a wardrobe option.. On Blanchett, of course, it’s dramatic and stunning.

Actress Jennifer Lawrence wears a strapless gown from Dior Haute Couture. The top hem of the gown is straight, without any dips or curves, requiring the woman to supply her own (which Lawrence does beautifully). While beaded to the hilt, the dress is essentially a blank canvas look, fitted beautifully but devoid of unique design elements — the perfect dress with which to pull out the stops with shoulder-duster earrings. This style of dress will only flatter if perfectly fitted.

Third from left, Naomi Watts wears a second design from Givenchy by Riccardo Tisci, one which I think is not especially flattering to the lovely actress. The jewel neckline and straight construction of the garment make it resemble an oversized tee-shirt with not a lot of shape, hiding her figure. The length, cutting at mid-calf, is also notoriously difficult to wear. Drop earrings that blend with her hair add little and her sandals and chunky bag have a mismatched casual vibe. Watts would be more flattered by any of the other dresses on the page.

Particularly worthy of note is the stunning gown from Marc Jacobs modeled by actress Lena Dunham at the far right. The deep vee neck frames her face, and the gown is fitted beautifully to her figure. The color of the gown suits Dunham perfectly. She looks stunning.

An open neckline, whether a shaped sweetheart style, a scoop neckline, or a deep vee, as seen on the Marc Jacobs gown, is almost universally flattering as it serves as a frame for the wearer’s face and draws the attention upward.

The deep vee is even a good choice even for someone who doesn’t particularly like her neck. A smaller neckline draws the eye in toward the neck, whereas the expanse of a wide vee puts the neck into context with the face and body and diminishes its relative visual importance.


The Best Hues for Summertime Pale Skin

The June 2014 issue of InStyle magazine fields a reader’s question:  “I’m pale, and I don’t like to self-tan. How can I still show a bit of skin in the summer?”

At first blush (pardon the pun), the question would seem to call for a discussion of sunscreen, hats and protective clothing. Rather than focus on protecting and celebrating the beauty of very fair skin, the magazine takes a different tack in its published response:

“If you’re feeling self-conscious, skip the mini and go for a midi-length skirt or dress. Take a cue from Michelle Dockery’s bold plaid sheath, and look for a style in warm shades of red, yellow, or orange. Those colors radiate a glow that will nicely complement your fair complexion.”

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Putting aside the point that midi-length skirts are about covering up, not about showing skin, as the reader wants to do, the response is incomplete and seems particularly misguided in advising the reader on what colors to wear.

There are two issues here. If the reader has cool-toned skin (with pink or blue undertones), warm shades of red, yellow or orange can make her look off-color and pale in a rather sickly way. But even if the reader has warm-toned fair skin (with yellow or peach undertones), the colors recommended by InStyle may be too vibrant.

If yellow gold jewelry, particularly high-karat 22kt or 18kt yellow gold, looks harsh against your skin and you find you prefer silver, white gold or platinum, you almost certainly have cool-toned skin. If your skin is pale, your best version of red is likely to be a medium or soft cool pink or coral color. Coral has both pink and orange in the mix and may also be an attractive option.

Beyond hue, consider the intensity of the color. If your hair is light brown, blonde or grey, there is probably not a high level of contrast in your personal coloring between your skin color and your hair color. Choosing tone-on-tone shades of white, ivory, beige, taupe or khaki may be a stunningly attractive choice for you.

Michelle Dockery’s coloring is high-contrast. She can wear the bright plaid because the viewer will not lose sight of the woman wearing the vibrant hues. Her dark hair and eyes contrasting with her light skin provide the framework for the intense color. Note too that she wears bright lipstick and noticeable blush on her cheeks to allow her to carry off wearing the intensely warm hues.

When it comes to choosing colors, find your best hues and learn why they work best for you. In choosing your best summer color, orange may not be your next black.

Overly Casual Style Afoot

While the discomfort and injuries attributable to unreasonably designed footwear continues to pile up, a number of couture designers have looked to the youth market for their version of an antidote to their customers’ pain. The solution they proffer:  Sneakers.

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Athletic footwear is, this moment, high fashion, worn with absolutely everything, but in designer versions, of course. The May 2014 issue of Lucky magazine reports:  “With designers from Chanel to Marc Jacobs turning out sporty lace-ups, the sneaker is officially the shoe of the season.” Pictured above is a $299 dress from H&M worn with $995 Chanel perforated sneakers. The model’s earrings, $350, are also from Chanel. The cardigan sweater worn around her waist is $128 from Nic + Zoe.

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Some styles pictured in the Lucky photo spread, such as ensemble with jeans and a sporty perforated mesh look with a tee shirt — require not much of a stretch to accompany the look with sneaks. A ’50s-inspired look above, looks rather costumey with the addition of the $860 Dior sneakers. (The model wears a $66 Asos skirt, $10 Hanes socks, and  $16 crop top from Forever 21.)

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The design director for Vogue magazine, Raul Martinez, is quoted in the May 2014 issue of the magazine in the feature “The Editor’s Eye”:  “Right now it’s all about the sports influence, especially with the sneaker frenzy going on for fall.”

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Without any tongue-in-cheek at all, the May 2014 issue of Vogue reports:  “The street-style set trades towering heels for colorful sneakers, pairing high fashion with gym-class footwear.” Among the looks pictured is a highly circulated photo of singer Rihanna in head-to-toe Chanel Haute Couture, wearing sneakers that match her ensemble. To Vogue’s credit, sneakers from athletic footwear experts Nike and Adidas also make the style cut.

While sneakers can be comfortable to wear, no doubt, they also can have a tendency to make an ensemble look more than a bit schlumpy, matchy-matchy Chanel Haute Couture versions notwithstanding, when not worn with sporting clothes or casual wear. As with all trends, in deciding whether to incorporate this trend into your wardrobe, consider whether sneakers contribute to the image you want to convey.

Shoe Sanity: Rationales & Recommendations for Comfortable Footwear Spring 2014

It is remarkable that the fashion press almost universally ignores the damage to feet caused by all too many of the fashionable shoes created and promoted by designers and featured in magazine editorial content. Here are recent articles that spotlight the potential issues:

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The March 2014 issue of Shape includes an article entitled “Hard on heels” that concludes that rushing around in high heels “can wreak havoc on your joints.” The article elaborates:

“It’s no secret that they can cause foot, back, and even hip pain. But if you’re still sporting heels, here’s another potential peril to consider: Women who frequently run in pumps–to catch the bus or chase after their kids, for example–could be setting themselves up for serious knee problems later in life, according to research published in the International Journal of Biomedical Engineering and Technology.

The article references a test in which women jogged in 2 2/3-inch heels, compared with 1 1/4-inch heels and flat footwear. The women wearing the higher heels “had an increased range of knee and hip motion as they moved” which “puts unsafe pressure on joints . . . and can, over time, contribute to osteoarthritis.” The potential for ankle sprains is also noted. The article concludes:  “The bottom line:  Skip the stilettos if you know you’ll be on the go, and always pack a pair of flats in case you’re caught off guard.”

Notice that the “high heels” tested were only 2 2/3 inches in height, hardly stilettos of the heights common  in many designer collections.

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The April 2014 issue of Woman’s Day contains an article entitled “Fight Foot Pain:  Why your feet ache–and how to make them feel better fast” by Alyssa Shaffer. She reports that “the podiatrist says . . . Be smart about shoes.”  Shaffer files this report form Carly Robbins, DPM, of Foot & Ankle Specialists of Marysville, OH:

“You already know wearing heels isn’t great for your feet, but flats may be just as bad. The lack of support can cause painful conditions such as plantar fasciitis (inflammation of the tissue that runs from heel to toes)–and it’s not only your feet that suffer. Flimsy shoes can lead to knee, hip and back pain. To avoid injury, limit these styles to events that don’t involve much standing or walking, and consider using orthotic inserts. Over-the-counter options are available for most shoes–even heels and flats. But for more serious conditions, such as fallen arches, see a podiatrist for custom inserts.”

Still not convinced that low-heeled (but not flat) comfortable shoes are the way to go?  Consider these stories pulled from the pages of the fashion press:

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The December 2013/January 2014 issue of Harper’s Bazaar reports (with a startling admission):  ”The news is out–heels are getting low, much to the relief of our aching feet. But for the vertically inclined, never fear:  You can still get your kicks in with a block-heeled sandal–it’s the chic compromise between the vertiginous stiletto and the workaday flat.” Pictured are styles from Marvin K. and Marni. Block heels were first reported by Harper’s Bazaar back in fall 2012, over a year ago, as I discussed in my October 4, 2012 blog post. The block heel is proving to have staying power.

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In the April 2014 issue of Elle, actress, House of Harlow 1960 designer and style icon Nicole Richie explains her flat shoes in the photo above to creative director Joe Zee: “I wear flat shoes all the time. There’s not anything cute about waddling in some heels that you’re not comfortable in. My one rule is that I always wear flats to weddings.” Joe asked why. She responded:  “Because I want to dance!  I want to be there all night. And I know people get cray.”  Richie wears an Alexander Wang dress over a House of Harlow 1960 sweater with Reed Krakoff shoes. Note that the oxford-style shoes are not completely flat, but rather have a heel of at least an inch – a perfect blend of comfort and chic.

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Singer Taylor Swift, the cover girl of the March 2014 issue of Glamour, “says: Ditch your heels. ‘I’m obsessed with flats,’ Ms. Swift tells us. ‘Obsessed.’ (And when the 5’10″ superstar gets obsessed, step back.) Swift favors loafers, oxfords, ballet flats, and quirky-cute cat slip-ons from Charlotte Olympia, worn with anything and everything.”

More on the latest in chic and comfortable footwear will follow.